Gustavo Dudamel - Conductor
Salzburg Festival, 2008
Mussorgsky - Pictures at an Exhibition (For Orchestra & Solo Piano)
The drunken sot who glares out at us from Ilya Repin’s celebrated portrait looks more like a tramp than a composer, and Mussorgsky’s music has a similarly uncompromising expressive power, music that seems to work despite rather than ecause of itself. Pianists have wrestled with the unpianistic corners of his most famous work since he composed it in 1874 in memory of his friend, the painter Viktor Hartmann, who had died the previous year.
Mussorgsky portrayed some of Hartmann's pictures in music when they were displayed at an exhibition
Mussorgsky’s “Pictures at an Exhibition” is one of the most famous and most frequently performed
00:00:00 Pictures at an Exhibition: Promenade 1
00:01:29 Pictures at an Exhibition: No. 1, Gnomus
00:04:04 Pictures at an Exhibition: Promenade 2
00:05:02 Pictures at an Exhibition: No. 2, Il vecchio castello
00:08:38 Pictures at an Exhibition: Promenade 3
00:09:06 Pictures at an Exhibition: No. 3, Tuileries
00:10:21 Pictures at an Exhibition: No. 4, Bydlo
00:13:21 Pictures at an Exhibition: Promenade 4
00:14:06 Pictures at an Exhibition: No. 5, Ballet of the Unhatched Chicks
00:15:24 Pictures at an Exhibition: No. 6, Samuel Goldenberg and Schmuyle
00:18:06 Pictures at an Exhibition: No. 7, Limoges. The Market
00:19:29 Pictures at an Exhibition: No. 8, Catacombae. Sepulcrum romanum – Con mortuis in lingua mortua
00:23:22 Pictures at an Exhibition: No. 9, The Hut on Fowl’s Legs
00:27:08 Pictures at an Exhibition: No. 10, The Great Gate of Kiev
00:32:37 Night on Bare Mountain
00:43:01 Pictures at an Exhibition: Promenade 1 - No. 1, Gnomus
00:46:58 Pictures at an Exhibition: Promenade 2 - No. 2, Il vecchio castello
00:52:07 Pictures at an Exhibition: Promenade 3 - No. 3, Tuileries
00:53:38 Pictures at an Exhibition: No. 4, Bydlo
00:56:49 Pictures at an Exhibition: Promenade 4 - No. 5, Ballet of the Unhatched Chicks
00:58:45 Pictures at an Exhibition: No. 6, Samuel Goldenberg and Schmuyle
01:00:38 Pictures at an Exhibition: Promenade 5 - No. 7, Limoges. The Market
01:03:38 Pictures at an Exhibition: No. 8, Catacombae. Sepulcrum romanum
01:10:22 Pictures at an Exhibition: No. 10, The Great Gate of Kiev
01:15:57 The Seasons, Op. 37a: No. 1, January. By the Fireside
01:20:47 The Seasons, Op. 37a: No. 2, February. Shrovetide Festival
01:23:41 The Seasons, Op. 37a: No. 3, March. Song of the Lark
01:25:21 The Seasons, Op. 37a: No. 4, April. Snowdrop
01:27:30 The Seasons, Op. 37a: No. 5, May. White Nights
01:31:44 The Seasons, Op. 37a: No. 6, June. Barcarolle
01:35:27 The Seasons, Op. 37a: No. 7, July. Song of the Reaper
01:37:10 The Seasons, Op. 37a: No. 8, August. Harvest
01:40:18 The Seasons, Op. 37a: No. 9, September. The Hunt
01:43:14 The Seasons, Op. 37a: No. 10, October. Autumn Song
01:46:38 The Seasons, Op. 37a: No. 11, November. Troika
01:49:16 The Seasons, Op. 37a: No. 12, December. Yuletide
Pictures at an Exhibition is a suite in ten movements, with interpolated variations on a Promenade theme, composed for piano by Russian composer Modest Mussorgsky in 1874.
One of Mussorgsky's friends was the artist Viktor Hartmann, who died suddenly in 1873 at the age of 39. Over 400 Hartmann works were exhibited in the Academy of Fine Arts in Saint Petersburg, Russia in
February and March 1874. Mussorgsky lent works from his personal collection to the exhibit and viewed the show in person. Fired by the experience, he composed Pictures at an Exhibition in six weeks.
The music depicts an imaginary tour of an art collection. Titles of individual movements allude to works
by Hartmann.
Mussorgsky based his musical material on drawings and watercolours that Hartmann produced mostly
during the artist's travels abroad. Locales include Poland, France and Italy; the final movement depicts
an architectural design for the capital city of Ukraine. Today most of the pictures from the Hartmann
exhibit are lost, making it impossible to be sure in many cases which Hartmann works Mussorgsky
had in mind.
This video shows the Hartmann drawings and paintings that are likely linked to individual sections
of the suite.
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