붓꽃 독백 - Ewa Kupiec <Chopin - Piano Concertos 1 & 2>

폴랜드 출신의 여류 피아니스트가 들려주는 폴랜드의 작곡가 쇼팽의 피아노 협주곡 1번과 2번

그 자체만으로도 호사라고 생각한다. 예전 같으면 어디 가능한 이야기 인가..............

첨단시대에 사니 이런 호사를 우리는 클릭 몇번으로 즐기고 있는 것이다.

한주를 마감하고 갖는 이 정신적인 여유가 19시간을 자고 있지 않은 이 시간에도 그저 행복하다.

이제 조금 두시간 눈을 부치고 일어나 아빠 저녁식사를 봉양해드리러 가야한다.

내일은 휴무다.

Chopin - Piano Concertos 1 & 2

Composer: Frédéric Chopin
Artists: Ewa Kupiec (piano), Saarbrücken Radio Symphony Orchestra, Stanislaw Skrowaczeski (Conductor) 00:00:00 Piano Concerto No. 1 in E Minor, Op. 11: I. Allegro maestoso
00:19:49 Piano Concerto No. 1 in E Minor, Op. 11: II. Larghetto
00:29:19 Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace
00:39:24 Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso
00:54:05 Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto
01:03:34 Piano Concerto No. 2 in F Minor, Op. 21: III. Allegro vivace Stanisław Skrowaczewski, world-renowned conductor, is incensed that Chopin’s Piano Concertos are compared so unfavourably to those by other composers, and on this recording he does a masterful job of setting the reputation of these works to rights. The First Concerto dances along with vivacity and outstanding joie de vivre, containing as it does elements of a variety of Polish dances. In the Second Concerto, the composer’s deep understanding of the piano and its colours comes to the fore: his use of harmony is remarkably innovative for its time, pointing far ahead into the future. Chopin shows himself to be the supreme composer for piano, with the soloist well supported by some sublime orchestral writing. Because of Chopin’s penchant for writing the accompaniment on the second piano score, the music has been carefully reconstructed by Chopin scholars, to glorious effect. Polish pianist Ewa Kupiec, compatriot of Stanisław Skrowaczewski, is regularly invited to perform at the world’s leading classical music festivals, with the Frankfurter Allgemeine Zeitung praising her ‘faultless technique’ and ‘ability to shape music with transparency and … impressive richness of colours’. She feels a deep connection to Chopin and other Polish composers, and gave three different Chopin recitals in honour of the 200th anniversary of the composer’s birth. Here she is accompanied by the magnificent Saarbrücken Radio Symphony Orchestra, which was founded in 1937 and is regularly heard throughout Europe thanks to its involvement in the Deutsch-Französische Konzerte radio series.

The Polish element in Chopin’s concertos is best evident in their third movements: characteristics of the Polish national dances Mazurka and Polonaise abound in these brilliant finales. Both concertos enjoy universal and wide popularity, and count among the most frequently played concertos of the entire repertoire.